Seeking to touch my
Grandma's life. Marija, the globetrotting seamstress. I am on my way
to St Petersburg, Russia.
Taking the two-lane
highway from Helsinki (now
there's a revelation of an
interesting city) eastward, there
are long, lonely stretches of birch woods. This is so
like northwestern Ontario. Except here from time to time we see
makeshift roadside stands selling smoked fish and prized forest
mushrooms. The transport-truck traffic is extremely heavy. Apparently
it is less expensive to bring cars and other goods into Russia by
road than through the allegedly corrupt port of St Petersburg. Miles
of trucks are lined up to cross the border each way.
Our
Hotel Pribaltiskiya is situated on Vasilievsky Island—to my
satisfaction, because I'd checked maps in advance—the part of the
city where Marija once lived in the late nineteenth and early
twentieth centuries. I can see her "Liniya 17" street as we
rush past. We pass there several times on our back and forth for
local tours. Pribaltiskaya is a very large hotel full of businessmen
and tour groups. Service people (hotel staff, money exchanger,
vendors, even our Russian bus driver) are not outgoing and rarely
smile. It’s like they think friendliness would be unprofessional,
or they wouldn’t be taken seriously.
The
evening outing is a sunset cruise on the River Neva (N'vaaah,
as our local guide Anna drawls) with a glass of champagne. Waiting on
the embankment is a calm moment for a survey of our surroundings. We are really here in the heart of Peter the Great's dream. The
amount of heritage restoration work everywhere boggles me, and the
pace of it! Workmen are painting the front of the Winter Palace. Anna
is lovely (she knows how to smile) and refreshing and mesmerizes us.
Occasionally our boat scrapes its roof on the Fontanka canal bridges
because the water is very high today.
One
magnificent site after another is ours to explore in this storied
city. A day in the Hermitage, another day at Tsarskoe Selo in
Catherine Palace and Peter the Great's extravagant countryside
estate, Peterhof.
Church
on Spilled Blood is where Tsar Alexander II was assassinated, its
magnificent mosaic tile interior, floor to ceiling religious and
historic scenes, the most memorable church I have seen anywhere.
St
Isaac's Cathedral, centre of the Russian Orthodox faith, is a huge
marble edifice. Sinking on one side (the city was built on a marsh),
an international committee of architects is brainstorming how to
shore it up. A trio of rather ragged country priests with a couple of
wives, on a pilgrimage, are just ahead of us. In the nave after
moments of rapt silence, they burst into a spontaneous kyrie
eleison
which resounds throughout the dome and could not have touched us more
deeply.
Back
to my unscheduled mission. Abandoning the tour group for a short
allotted time, I negotiate
a taxicab for 600 roubles; much agonizing about roubles, change, and
tipping. The driver has no English whatsoever, just the address
printed in Cyrillic script (by a stone-faced hotel employee), about
15 minutes driving from the hotel. The edifice on the corner of
Liniya 17 was the home of Baron Kusov (see orange circle on the map); Marija
lived in his household as seamstress for his wife and daughters.
This
is prime real estate on the embankment boulevard
along the north side of the Neva. Some of the grand mansions here are
called palaces.
Baron Vladimir Alexeyevich Kusov was a director of the Mariinsky
Theatre among other favoured imperial appointments. In fact, during
his lifetime he owned another five adjoining addresses extending
along Liniya 17. Language frustration: In my excitement and the
curiosity of the cab driver, I can think of only one word, pointing
at the building, exclaiming to him, "Babuschka!"
But
SO disappointing! The ubiquitous scaffolding of
renovation/restoration covers most of the building. Nouveau
riche
Russians have been buying these immense mansions, renovating them
into modern and expensive apartments. My Baltic researcher had said a
Kusov was recently at this address in the telephone book. Considering
the communication problem, I balk at trying to knock on doors if I
could even find one that looked promising. One
always thinks that one will return some day.
"Babuschka!"
says the grinning cab driver as he leads me across the boulevard to
get a longer shot of the scene. Down the boulevard I spy a church
that Marija might have attended. Much later, I spent hours trying to
identify it until I finally discovered it was a Catholic
church (not an option). A little further on is the block-long Academy
of Arts constructed in the 1750s.
St
Petersburg is a feast of fabled treasures to explore. It's a joy to
see so much preserved and being restored. Our few days cram in but a
few highlights, tantalizing glimpses of powerful past glories. It
would take weeks to do justice. No time to see the interior of the
Mariinsky theatre, home of the unparalleled ballet company; the Baron
regularly gave seats to his staff and employees. No time for the
cemeteries at Alexander Nevsky monastery, resting place of so many
acclaimed artistes. Strolling the Nevsky Prospect at leisure was not
an option.
Marija ca.1895; a fine figure of a woman, as my Grandpa would say |
Nevertheless, my mental
images of Marija's life remain firmly rooted in the nineteenth
century. The ambiance is still there ...
© 2014 Brenda Dougall Merriman. All rights reserved.
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