Another
day: We repeat like homing pigeons, into the medina past the marble
camel. We wanted to climb the ribat, the fortress base for soldiers
who lived like monks.
The ribat is built around a square with
crenellated walls, and the entire place was empty at that hour. The
cells of the "soldier-monks" open off the upper corridor.
Because the Grand Mosque across the way does not have a minaret, the
ribat's watch tower serves as such (although today, the call to
prayer is often a recording). From the tower, a different view of the
medina and the seafront.
Below, our coffee time again, striking
up conversation when we could because we were still determined to
find Dar Essid. Again
receiving various opinions on directions, it took the rest of the
morning to find it. I had read of a red light district –
yes, of all things –
somewhere
near the kasbah; apparently it's a rather tightly sealed area with
only one entrance. Not that we wanted to go there, but didn't want to
stumble into it!
Success
came after exiting the medina at one gate, walking the outside
circumference of the wall, and entering again at another. Lo –
signs for Dar Essid Museum! It was uphill close to the wall's
interior, actually not that far from the ribat, so we had made a
semi-circuit of half the medina area. But uh-oh. A small delivery
truck was stuck halfway up the street (did I ever mention narrow?).
Furthermore, he was totally blocking pedestrian traffic. He tried to
drive down. He tried to back up. For a while we watched the
proceedings with bystanders encouraging him.
Where the truck was stuck |
So
there had to be a way around him in the warren of tiny streets to the
side (did I ever mention logic?) to approach the street from
the opposite way. One helpful man seemed to understand our goal,
chattering away in Franglais-Arabic, maybe intending to guide us, or
sell us something. Sure we could do this without any help we forged
off. That only took another half hour, eventually emerging onto the
right street ... where the wretched truck was still jockeying back
and forth, exactly blocking Dar Essid's doorstep.
Finally,
access. In the entrance reception a supremely disinterested woman
took our fee, engaged with her cell phone. A typed sheet in English
gave a bit of description about the rooms. This was the house of a
wealthy Ottoman family, parts of it dating back to the tenth century.
Gorgeous ceramic tiles decorate the walls and floors in traditional
Tunisian style. Photographs, antiques, and family memorabilia were
everywhere. We seemed to be alone except for occasional distant
voices of other visitors.
The
late nineteenth century owner had two wives –
separate bedrooms for each, of course. We saw the ancient Roman lamp
displayed in one wife's bedroom, the famous lamp that signals the
husband must not climax until it burns out. Husband in a hurry might
slyly distract his wife so he could secretly extinguish the flame. A
seven-hundred-year-old marriage contract was framed on one wall.
Other
bedrooms were allocated for children under and over a certain age.
These rooms are all off the main courtyard; the fabrics here were in
better condition than those at Dar Baba ―
but the pittance of an entry fee would hardly begin to pay for
maintenance.
There
were two kitchens, small and large, as we progressed multiple levels.
Extensive and fascinating. We were aware that there was much more to
the house, not open to the public, where the owner dwells. Although
Ottoman rule in Tunisia ended with French occupation, a considerable
population of Turkish origin remains.
The
bathroom was a marvel with a marble tub and marble urinal proudly
claimed as a precursor of the French pissoir. We
had no idea when or how the tub was installed on this upper level.
Good thing it was near the main kitchen for heating the water!
Then
we ascended the final storey that led to the well-furnished
servants' quarters. From
there we had a splendid view of the medina down to the sea and its
walls on another side. Oh no –
the promised roof-top
café
was a deserted little bar and we were dying of thirst. But suddenly
out of nowhere a youngish caretaker guy appeared to find us some cold
pop, thank you! Eager to practice English, he spoke of a friend
studying engineering in Montreal. For some time we were a captive
audience to tales of his depressing love life with a Spanish
girlfriend; marriage is not a good idea without being able to afford
or locate their own separate place to live (he wants Tunisia; she
wants Spain). It didn't seem to occur to him that their disagreements
about having children (he: yes; she: no) were just as fundamental. I
was thinking get
a new girlfriend!
Or maybe I said it aloud.
Ultimately
we headed out again toward the mosque and the medina entrance,
"capturing" doorways as we went. We found ourselves in
another local market area where piles of clothing and shoes were
being sold. Second hand? Doing a rush business, anyway. Time for a
relaxing café au lait,
watching people come and go. The day ended with serious souvenir
shopping on my part while friend the photog sought local scenes and
portraits. She reported crossing a questionable area where some
dubious men were gathered; eye contact to be avoided. She always
manages well, superb photographs.
Part of a day was spent checking out
the Port el-Kantaoui marina area, although I can't say the stretch of
beach we saw was particularly inviting. Maybe the tourists sunbathing
and strolling here had no clue about, or interest in, the historic
medina ―
the beaches do attract vacation people from all over Europe.
One day, rainy and cool after an
evening display of spectacular lightning, we went by tram to the
nearby town of Monastir. Next to the huge Sidi
el Mazeri
cemetery is the mausoleum of Habib Bourguiba; he is
revered as the father of modern Tunisia from 1957 to 1987. The
very wide area surrounding the structure is marble and was
treacherously slippery in the drizzle. His impressive coffin rests in
a rotunda, contrasting sharply with the plain rooms and simple slabs
set in the floor for family members.
Altogether, Sousse was a highlight in a country where every new town and countryside scene manifested one awesome delight after another.
©
2015 Brenda Dougall
Merriman
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