Moving right along,
chronologically in this case ... few (decent) photos from this
adventure. Obviously supplemented with postcard images. After this I
became more conscious of using my camera. For better or worse.
Years later by chance I renewed my acquaintance with the species camelus dromedarius. I travelled with a group from Malaga, Spain, across the Strait of Gibraltar and southward through the mid-Atlas mountains. Exotic Marrakesh was the third royal city of Morocco we visited (but not the most memorable in my mind, I give that to Fes). Our tour leader Alami was necessarily proficient in several languages — the great majority of my companions were from South America. He didn’t totally satisfy the large contingent from Brazil who were awfully busy waving football (Canadian English: soccer) flags at any flimsy pretext and inappropriate moment.
Changing
tense, one evening we are taken into the desert for a special “Berber
Feast.” By this time a third of our company is absent due to
stomach complaints ... obviously no red flags for them about
eating fruit with skin on it. Only
fruit you can peel yourself, like the exquisite tiny oranges
picked up in the market for pennies, is sanctioned by all the travel
websites that dispense touristica stomach advice. The belly dancing
performance the other night was when whatshername ate grapes (skins
on) and became so incredibly ill we left her in the hospital in
Meknes and didn’t see her again until Casablanca.
For this
festive outing two of my companions uncharacteristically appear to
adopt me. D and D are a cheerful New York City couple: a beautiful
coyote and her happy-go-lucky boy toy. Their newfound attention was
missing during prior medina explorations where all single
female tourists are constantly pestered with offers of “a Moroccan
husband” ―
age and infirmity being no barrier. Inexplicably, the male D
habitually eats apples with skins on to no adverse effect. Go
figure.
I bristle a
little at the notion that D & D are being protective of me.
Protection from what ... fruit? From tonight’s silently efficient
waiters who wouldn’t dare lapse into flirtation mode? Or do these
two need me as extra defense against the predominant,
incomprehensible Brazilians? (... close to a breakthrough, I feel,
with Renate the German-Brazilian; it must be my six or seven words of
German that raised a flicker of comprehension.) Never mind, I tacitly
accept my new hovering buddies.
Chez Ali, our
destination, is a series of rooms resembling Berber tents, open to
the night air, surrounding an enormous sand arena. After all, we’re
verging on the desert. Wandering minstrels and dancers give constant
song and music. It may be touristy but it’s an impressive
venue and fun. The meal is typical of what we eat most nights. Can’t
beat those Arab appetizers. Then lentil soup, lamb stew with couscous
and veg, wonderful sweets for dessert. The post-dinner “extravaganza”
performance in the arena includes some son-et-lumiรจre
history, but the highlight is the show of Berber horsemanship. The
riders are amazing, and those gorgeous Arabian horses ...!
It takes me a
while to notice that camel rides are going on peripherally on the
darkened edges of the arena. Of course I had to do THAT, propelled by
some instinct. Fully expecting my companions to follow, lusty
Brazilians and all. Nope, not one of them. The two Ds have been
lugging a variety of expensive cameras around for days. Now they are
slightly horrified at my boldness but chatter excitedly. Not to
worry, my new BFFs are on it — assuring me of photographic captures
from the viewing stands as they fumble with all their gadgets.
Oh well.
Turns out only one of the Ds has a shaky grasp of zoom operation. An
Italian with even more equipment fares better. Trust me, if I’d
known in advance, I wouldn’t be wearing a skirt.
The camel handler has a singularly surly disposition; his world view includes neither job satisfaction nor customer service. Paid in advance, he doesn’t care if his passenger goes ass over teakettle in the all-important mount and dismount. Fortunately, a stored memory of old ― you know, morphic resonance or something ― saves me from disgrace. The camel is terminally bored.
This is not a
big deal, around the arena, but it’s an epiphany.
It heralds more.
I must have more.
© 2014
Brenda Dougall Merriman
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